{"id":36,"date":"2005-12-11T18:01:00","date_gmt":"2005-12-12T02:01:00","guid":{"rendered":"http:\/\/www.mccambridge.org\/blog\/2005\/12\/rent-auf-deutsch\/"},"modified":"2022-09-11T00:40:49","modified_gmt":"2022-09-11T00:40:49","slug":"rent-auf-deutsch","status":"publish","type":"post","link":"http:\/\/www.mccambridge.org\/blog\/2005\/12\/rent-auf-deutsch\/","title":{"rendered":"Rent auf Deutsch"},"content":{"rendered":"

I found the German transcription of the musical Rent about a year ago or more, and happened to come across the bookmark again today whilst listening to the english soundtrack.<\/p>\n

I decided it would be cool to read the German version along with the music, and it was, but I found myself disappointed with the translator. He changed a lot of the lyrics to make the German words fit the melodies\/rhythms of the original, but I think some parts lost something in the transition. If you’ve never seen Rent (the musical… I can’t compare to the movie, not having seen it), the following maybe won’t make sense, but for those who have, here’s some snippets of “What you Own” that bothered me:<\/p>\n

The form of these quotes will be:
\nOriginal English lyrics
\nGerman lyrics English translation<\/em><\/p>\n

…<\/p>\n

You’re living in America,
\nLeave your conscience at the tone.<\/p>\n

Du lebst doch in Amerika,
\nScham ist selten hier zu Gast.
\nYou’re living in America,
\nShame is an infrequent visitor here\/shame is seldom seen here<\/em><\/p>\n

Colin’s take:<\/strong> The original seems much wittier. Granted I’m no master of German idioms, and granted the German, like the english, takes a phrase intended for the physical and twists it to the intangible, but still. I like the original better; it seems a much more “modern” non-anachronistic statement.<\/p>\n

…<\/p>\n

What was it about that night?
\nConnection, in an isolating age.
\nFor once, the shadows gave way to light.
\nFor once, I didn’t disengage.<\/p>\n

Hat uns jene Nacht geheilt?
\nGemeinschaft, einmal nicht mehr isoliert.
\nDas Licht, es hat das Dunkel zerteilt.
\nUnd ich – ich hab’ mich engagiert.
\nDid that night heal us?
\nCommunity\/companionship, for once no longer isolated,
\nThe light, it dissipated the darkness,
\nAnd I, I engaged.<\/em><\/p>\n

Colin’s take:<\/strong> I think the German feels too disconnected here. In the English, the characters are talking about an extremely important moment in their lives, a feeling of connection and companionship that brought them from isolated individualism into some higher realm together where the world was more in order. But the German seems both too uninterestingly direct in asking straight out “did that night heal us?”, and too disjointed, without much flow between the phrases. (I liked the “for once…, for once…” in the English) Perhaps it’s a bit… sentimental? emotional? overly-dramatic? corny?… but I really liked this song in English; I was disappointed in the German.<\/p>\n

Boo Heinz Rudolf Kunze.<\/p>\n

On the upshot, he left the end of the song alone, which was really cool:<\/p>\n

Sterben in Amerika,
\nganz am Ende vom Jahrtausend Zwei,
\nman stirbt hier in Amerika,
\num ganz bei sich zu sein.
\nDoch wenn wir sterben in Amerika,
\nganz am Ende vom Jahrtausend Zwei,
\ndann nicht allein.
\nNein, nicht allein.
\nIch bin nicht allein.<\/p>\n

Dying in America
\nat the end of the second millenium,
\none dies here in America
\nto be completely oneself.
\nAnd if we’re dying in America,
\nat the end of the second millenium,
\nwe’re not alone.
\nNo, not alone.
\nI’m not alone.<\/em> (Nearly word-for-word the same as the English.)<\/p>\n","protected":false},"excerpt":{"rendered":"

I found the German transcription of the musical Rent about a year ago or more, and happened to come across the bookmark again today whilst listening to the english soundtrack. I decided it would be cool to read the German version along with the music, and it was, but I found myself disappointed with the […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[],"_links":{"self":[{"href":"http:\/\/www.mccambridge.org\/blog\/wp-json\/wp\/v2\/posts\/36"}],"collection":[{"href":"http:\/\/www.mccambridge.org\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.mccambridge.org\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.mccambridge.org\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.mccambridge.org\/blog\/wp-json\/wp\/v2\/comments?post=36"}],"version-history":[{"count":1,"href":"http:\/\/www.mccambridge.org\/blog\/wp-json\/wp\/v2\/posts\/36\/revisions"}],"predecessor-version":[{"id":1858,"href":"http:\/\/www.mccambridge.org\/blog\/wp-json\/wp\/v2\/posts\/36\/revisions\/1858"}],"wp:attachment":[{"href":"http:\/\/www.mccambridge.org\/blog\/wp-json\/wp\/v2\/media?parent=36"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.mccambridge.org\/blog\/wp-json\/wp\/v2\/categories?post=36"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.mccambridge.org\/blog\/wp-json\/wp\/v2\/tags?post=36"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}